46. yet, when onelooks at the photographs of the gardens created by the homeless, it strikes onethat, for all their diversity of styles, these gardens speak of various otherfundamental urges, beyond that of decoration and creative expression。
48. The gardens ofthe homeless, which are in effect homeless gardens, introduce form into an urbanenvironment where it either didn’t exist or was not discernible as such。
49. most of usgive in to a demoralization of spirit which usually blame on some psychologicalconditions, until one day we find ourselves in a garden and feel the oppressionvanish as if by magic。
50. It is thisimplicit or explicit reference to nature that fully justifies the use of theword garden, though in a “liberated” sense, to describe these syntheticconstructions。